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Anna Calvi – Don’t Beat the Girl out of My Boy (04:03)Ĥ.Elegant and poised, yet undeniably coiled and ready to strike at the first sign of a threat, songs like Desire, Suzanne I, and Blackout sounded like a radio caught between Roy Orbisons Crying and PJ Harveys Man-Sized.One Breath, her intoxicating sophomore outing, picks right up where her eponymous first impression left off, offering up a pair of fevered, reverb-drenched, bordello-rock gems in Suddenly and Eliza, before shifting gears with the icy and elliptical Piece by Piece, one of several tracks that owe more than a cursory nod to the punchy, overcast minimalism of late-period Scott Walker.Calvis more comfortable with pushing the envelope this time around, and One Breath feels like the work of an artist who has been given (or has at least given herself) carte blanche.Songs like Cry, with its explosive blasts of Carlos Alomar-borne feedback, the hypnotic Bleed into Me, which sounds like Jeff Buckley taking on King Crimsons Matte Kudasai, and the nervy, incredibly intimate title track, may mine different areas of the sonic map, but they remain firmly entrenched in the ever-expanding Anna Calvi universe. For me, that’s quite a utopian vision.”ģ.

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She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body and myself. The power is in the contrast itself in the way she oscillates between extremes, sounding freer than ever before. But she’s careful not to characterise any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. It was important to Calvi that it was as vulnerable as it is strong as beautiful as it is harsh as much about the hunted as it is about the hunter. A queer and a feminist record, it is galvanising in its hunt for freedom.

The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. Hunter is the embodiment of the feeling of truly letting go. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Produced by Nick Launay (Nick Cave, Grinderman) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. Hunter, the third long player from from the BRIT award and double Mercury Music Prize-nominated Anna Calvi, will be released on 31st August 2018 via Domino.

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